There were less than thirty movies this year. With working my real job (this!) and volunteering, I was under the gun to see the hits. I was pretty lucky. I saw three of the top festival films (Etienne!, Easier With Practice and Winnebago Man) and the almost impossible to get tickets to see closing night film, World’s Greatest Dad.
Winnebago Man was an odd film. I was unfamiliar with the youtube.com sensation. Seems that everyone (except me) was familiar with this crazy guy who spits and swears while making a twenty year old industrial film about how wonderful Winnebago’s are to own. A man named Jack Rebney is Winnebago Man. These are the outtakes and tirades pieced together by the video crew that Mr. Rebney had hired to assist in making a promotional video for marketing RVs. There are several versions of the original on YouTube. This one runs over 4 minutes and features Winnebago Man's hatred for flies and several long swearing and cursing montages.
http://www.youtube.com/watch?v=zSWUWPx2VeQ . It has millions of hits.
I did not quite get it. I think this because I was unsure through the first third of the film if it was a documentary or a mockumentary. It took a while for me to realize the scope of the impact of
this “found” footage. To me, the film lacked structure. On the other hand, the audience certainly responded. It got the audience favorite. There was a Vegas connection in the film, also. Although the featured subject of the film was not at the festival, his best friend came. Turns out he lives in Vegas. I met him, but it took a few minutes for me to realize who he was. We chatted for a while. He is quite an interesting character in his own right.
I was not particularly impressed with Robin William’s World’s Greatest Dad. I spoke with the director, Bob Goldthwait in the theater after the Q&A. He felt the Vegas crowd was too mature for the film. Having been a comedian, only he could put Vegas and mature in the same sentence and still keep a straight face. He said he had just shown the film to a young audience in Maryland in a theater with 700 seats. They went wild and gave him a standing ovation. He was surprised at the cool reception the film got that night.
The highlight of the festival was the real closing night film. On Monday, after the festival supposedly ended, CineVegas set up an outdoor “drive-in” to show the 1958 sensation, Attack of the 50 Foot Wo
man. It was a rare opportunity to see this B-film sci-fi classic the way the creators meant it to be seen. With popcorn, soda (unless you smuggled in a couple beers – and many did) and the balmy Vegas night, it was an only at a film festival treat! The after party at the Sidebar nearby capped a wonderful evening. Sponsored by Grey Goose Vodka and Stella Artois (read lots of free alcohol), the vibe was going strong in this festival wrap up.
I met Jim Turner at the party. He is the founder and director o
f the independent Film Society of Colorado. As a self-professed addict of independent cinema, he has worked at Sundance for a number of years. He leveraged that love of film into yearly festival in his hometown. He dismissed his day job (as a government contractor) as an excuse to fund his real love – festival films. He
uses his limited vacation to work both Sundance and CineVegas. Working at these festivals has afforded Jim the opportunity to make contacts with filmmakers and film professionals from around the world. Check out his website, http://www.indiespiritfilmfestival.org/index.cfm . He is kind of proof that you can work your day job and still be actively involved in the industry.
There was also a party Saturday night at the Playboy Club, but for some reason, even after spending hours at it, I don’t really remember much. There are some pictures posted elsewhere on this blog. Apparently, I took them.
There were less than thirty movies this year. With working my real job (this!) and volunteering, I was under the gun to see the hits. I was pretty lucky. I saw three of the top festival films (Etienne!, Easier With Practice and Winnebago Man) and the almost impossible to get tickets to see closing night film, World’s Greatest Dad.
I did not quite get it. I think this because I was unsure through the first third of the film if it was a documentary or a mockumentary. It took a while for me to realize the scope of the impact of 
this “found” footage. To me, the film lacked structure. On the other hand, the audience certainly responded. It got the audience favorite. There was a Vegas connection in the film, also. Although the featured subject of the film was not at the festival, his best friend came. Turns out he lives in Vegas. I met him, but it took a few minutes for me to realize who he was. We chatted for a while. He is quite an interesting character in his own right.
man. It was a rare opportunity to see this B-film sci-fi classic the way the creators meant it to be seen. With popcorn, soda (unless you smuggled in a couple beers – and many did) and the balmy Vegas night, it was an only at a film festival treat! The after party at the Sidebar nearby capped a wonderful evening. Sponsored by Grey Goose Vodka and Stella Artois (read lots of free alcohol), the vibe was going strong in this festival wrap up.
f the independent Film Society of Colorado. As a self-professed addict of independent cinema, he has worked at Sundance for a number of years. He leveraged that love of film into yearly festival in his hometown. He dismissed his day job (as a government contractor) as an excuse to fund his real love – festival films. He
uses his limited vacation to work both Sundance and CineVegas. Working at these festivals has afforded Jim the opportunity to make contacts with filmmakers and film professionals from around the world. Check out his website, http://www.indiespiritfilmfestival.org/index.cfm . He is kind of proof that you can work your day job and still be actively involved in the industry.
ctor, Jeff Mizushima, in the CineVegas headquarters. He ended up winning the Filmmaker to Watch Award for his film. I complemented him on getting the film made – this is a tough thing for young filmmakers – and asked him about his plans. Chris Gore joined us. He is a writer, filmmaker, speaker, television host and commentator who has built a solid reputation as 
an outspoken voice in the independent film world. His original site is http://www.filmthreat.com/. Check his (outdated) personal website http://www.chrisgore.com/. I have heard him speak at the http://www.filmfestivalsummit.com/ a couple years ago.
Oakley Sunglasses at Night Art Tour joined AILV on May 21 at night in front of the school. In addition to a full Oakley gallery exhibit, beats being played by Oakley's resident DJ, and free food and drink, the event featured 40 pairs of Oakley sunglasses designed by students wanting to make their mark on the Oakley brand.
ew Petterson, who last year designed 50 handcrafted Oakley Frogskins, held court over the festivities. He is a freelance artist with an Oakley connection. Though a bright and Red Bull (and something else) fueled conversation, he revealed that he had been raised in Boise, Idaho and moved to the West Coast at age 19. He makes his living in the automotive industry as a custom paint designer. He freely admits that he has no creative control over his day job, so he uses his Oakley connection to express himself. Living in Huntington Beach, he is connected into that snowboard, skateboard young guy lifestyle that inspires the Oakley brand. Although unschooled, he was inspired by both his parents who were artists and educators. Though laidback, at 28 years old, he admits to an intense commitment to his creative energies. “I live this,” he says, “but I love what I do.” Induced to share his body art, he says he worked in collaboration with the tattoo artist to blend his original designs with the artistic ability of the other artist. They hooked up though a chance meeting with a mutual friend who had a tattoo that Andrew admired. The tattoo artist needed a paint job to rest
ore his car and Andres wanted a chest to knee tattoo and a deal was stuck. Visiting his third Art Institute, he admitted that for the first time that he was a little intimidated by the talent of the students at our school. The quality of the students work, both in the sunglass project and student work on display, impressed him.
Above is the REAL LVMI, Nick's and them Lynn's.
Some good news and some bad news... Lynn's webwork was so compelling that it showed up on a google search as the EIGHTH listing... and it is not a real site! This certainly shows how wonderful Lynn's work is and how well she designs her web pages. Unfortunately, the actual owner of the site, who supported our class project, discovered this problem and asked to have the site altered as not to cause confusion in the marketplace. Check them out!
l media and downloading, the industry is trying to figure out how to monetize films and filmmaking. While this is going on, the festival circuit may offer an opportunity to get your product out and be seen by the marketplace.”
